Jonathan Demme followed up his pioneering Talking Heads concert film Stop Making Sense with this uniquely idiosyncratic vision of America that feels deeply indebted to David Byrne and company.

Filmed for no money in 11 days by a bunch of young twentysomethings, DePaul grad Zach Schnitzer’s debut feature—which he also wrote and stars in—will remind many of the early days of mumblecore, particularly fellow Chicagoan Joe Swanberg.

Carla Simón’s Romería checks off many of the hallmarks of Rohmer-style European coming-of-age summer films while wading into murkier waters of memory and identity.

Taking place in 2011, Chandler Levack’s Mile End Kicks nails the aesthetic of the Pitchfork era without ever rubbing it in your face.

John Carney’s bone-deep sincerity, cheeky humor, and musical populism are on full display in his latest film starring Paul Rudd and Nick Jonas.

Ranging from awesomely stupid to eyerollingly mediocre, Mortal Kombat II gets the job done. That job, of course, is seeing a woman rip apart a man’s head with bladed steel fans and a dude being impaled on a razor-blade hat.

Having not seen this Spielberg/Kubrick film since its release, I revisited it for its 25th anniversary screening as part of the 2026 Chicago Critics Film Festival and found it utterly horrifying.

In Sophy Romvari’s incredibly accomplished feature debut, she takes a metafictional journey into her own past and childhood. 

With a light touch and some dark moments, Edd Benda and Stephen Helstad’s offbeat comedy thriller Chili Finger sets two empty-nesters off on a rather wacky and very Midwestern adventure.

Olivia Wilde’s third feature astutely dissects what it’s like to both love and hate parts of your long-term partner.

One of David Cronenberg’s best films and a peak of ‘80s horror, The Fly holds up 40 years later thanks to its gruesome makeup effects, a perfect match-up of Geena and Jeff Goldblum, and a haunting allegory for losing a loved one to aging and disease.

After taking a hiatus from feature films, ‘90s New Queer Cinema provocateur Gregg Araki is back to pervert audiences with an all-star cast in tow.

The narrative feature debut of documentarian and writer-director Daniel Roher follows a reserved piano tuner with a hearing disorder who turns his talents to safecracking.

Director David Lowery pits Anne Hathaway and Michaela Coel against each other as two former collaborators exorcising the (perhaps literal) ghost of their past estrangement.

Antoine Fuqua’s paint-by-numbers biopic wants to be startin’ somethin’ about the King of Pop—too bad it has nothing to say about its characters’ human nature.

Tonally imbalanced at times and not afraid to cross lines, Jorma Taccone’s Over Your Dead Body is a funny, gruesome rollercoaster with a superb cast and truly killer final section.

Petra Volpe’s new film is not only a compelling work of stripped-down cinema, but also important viewing for non-medical civilians like myself only experience healthcare as a patient.

This one’s for the hardcore horror fans, who have been given the gift of seeing mummified flesh ripped off on an IMAX screen. Enjoy it while you can.

In Steven Soderbergh’s latest, the director deconstructs many of the heist-genre elements he popularized in the Ocean’s Eleven franchise, peeling back the layers to reach a surprisingly touching, emotional core.

Bob Odenkirk’s latest action flick, which is most definitely not a Nobody sequel, is a John Wick-meets-Fargo mashup that works even if it doesn’t go out of its way to do anything special.