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In Aardman Studios’ latest stop-motion adventure, Shaun & Co are up to their spooky-season shenanigans and turn out to be a breath of fresh air for kids cinema.

After two massively influential horror films, Zach Cregger’s video game adaptation is a smart sidestep into more straightforward shocks and thrills.

Paul Greengrass brings his signature style to a take on the 14th-century English revolt that feels anything but revolutionary.

Nearly three decades later, the cult-classic original gets a nostalgic upgrade that also feels cursed with a lack of purpose.

László Illés’s latest has pacing issues and a bonkers plot, but also a cast of horror icons.

Adam Wingard’s follow-up to ‘The Guest’ blends pulsating techno synths, action sleaze, and kinky absurdity. I loved every second of it.

Korean director Na Hong-jin’s first film in ten years is both deeply compelling and strangely puzzling.

Instead of fighting and action set pieces, Statham runs around a cargo freighter’s corridors, climbs ladders, and goes down exhaust vents. Exciting stuff.

The sixth flick in the once-fun haunted house series does just enough to be entertaining again while still feeling stuck in place. 

Rereleased in a 40th anniversary 4K restoration, Ross McElwee’s entertaining 1986 documentary feels as revealing as ever in an age when people film every part of their lives.

When future generations ask what the COVID-19 pandemic was like, I’ll put on this directorial debut from Alexander Ullom about four friends trapped on an endless road to nowhere.