Filmmaker and cinematographer Sam Davis on the movies and movie experiences that have made his life sweeter.

Ian Tuason’s debut feature was made for just $500,000 and succeeds by using its budget limitations to its advantage.

Written, directed, scored, photographed, edited, and starring Jethro Waters, this deeply strange microbudget tale will definitely appeal to fans of quirky cult movies.

Novelist and innkeeper Casey Scieszka on the movies that complement her new novel.

12+1 questions with Óliver Laxe on casting non-professional actors, tips for going to raves, the challenges of filming in the desert, and more!

Truly a crowd pleaser, there’s something for everyone to love in Lord & Miller’s adaptation of the Andy Weir novel.

12+1 questions with indie horror director Rod Blackhurst on the origins of Dolly, working with Max the Impaler and Seann William Scott, and more!

Maggie Gyllenhaal’s second feature as director is a deeply strange, out-there film that curb-stomps every Frankenstein adaptation to a bloody pulp with an outpouring of style and ideas.

This posthumous documentary spotlights the body modification and alternative BDSM queer culture from the 1950s onward, with performance artist Fakir Musafar at the center.

Rod Blackhurst’s Dolly may not reinvent the slasher horror movie, but its grindhouse feel, captivating villain, and tough-as-nails protagonist offer enough twists on the formula make for a very fun ride.

With the Achievement in Casting award debuting at the Oscars, we’re picking which movies should have won over the last half-century.

Get ready for one of the most unexpectedly tense and horrifying cinematic journeys in recent memory.

Let’s take a closer look at some beloved films that are WHOOPS now apparently too radical for today’s khaki-wearing tyrants.

With a massive cast and grand desert vistas, Yuen Woo-ping’s latest showcases the wuxia genre on an epic scale and should deliver anything a fan wants.

Rower and yoga instructor Taryn Smith on the movies that complement her recent transatlantic adventure.

John Patton Ford’s follow-up to Emily the Criminal is an enjoyable, often funny flick riding the current wave of late-stage capitalism cinema. Just don’t expect any real social commentary or airtight logic.

This is a smart, clever, well-crafted movie that offers a true representation of a highly stereotyped and often dismissed queer subculture and so much more.

Author Rachel Griffin on the movies that complement her new novel.

Writer and teacher Natasha Bowen on the movies that complement her new novel.

The visual storytelling, quirky details, and vibrant energy of Emerald Fennell’s enjoyable adaptation of the Emily Brontë novel are held back when the script veers too closely into tradition.