Review: Only superfans will get a kick out of ‘Mortal Kombat II’
Ranging from awesomely stupid to eyerollingly mediocre, Mortal Kombat II gets the job done. That job, of course, is seeing a woman rip apart a man’s head with bladed steel fans and a dude being impaled on a razor-blade hat.
Jon Gustin picks 4 movies to pair with ‘The Tired Dad’
Content creator and author Jon Gustin on the movies that complement his new book.
Review: The deceptively quiet yet powerful ‘Blue Heron’ left me speechless
In Sophy Romvari’s incredibly accomplished feature debut, she takes a metafictional journey into her own past and childhood.
Amy Chan picks 4 movies to pair with ‘Unsingle’
Relationship expert and author Amy Chan on the movies that complement her new book.
Review: The magnificent and strange ‘Mother Mary’ is haunted by an identity crisis
Director David Lowery pits Anne Hathaway and Michaela Coel against each other as two former collaborators exorcising the (perhaps literal) ghost of their past estrangement.
Review: Horror comedy and cartoonish violence? ‘Over Your Dead Body’
Tonally imbalanced at times and not afraid to cross lines, Jorma Taccone’s Over Your Dead Body is a funny, gruesome rollercoaster with a superb cast and truly killer final section.
Review: ‘Late Shift’ spotlights an overworked nurse on the brink
Petra Volpe’s new film is not only a compelling work of stripped-down cinema, but also important viewing for non-medical civilians like myself only experience healthcare as a patient.
Review: ‘The Christophers’ paints an enjoyable and elusive portrait of artists connecting
In Steven Soderbergh’s latest, the director deconstructs many of the heist-genre elements he popularized in the Ocean’s Eleven franchise, peeling back the layers to reach a surprisingly touching, emotional core.
Kylie Lee Baker picks 4 movies to pair with ‘Japanese Gothic’
Author Kylie Lee Baker on the movies that complement her new novel.
Review: ‘You, Me & Tuscany’ is a charming throwback to 2000s rom-coms
Kat Coiro’s Italy-set rom-com starring Halle Bailey and Regé-Jean Page may not break a ton of new ground, but it’s the kind of big-hearted, escapist cinematic fantasy we don’t get much anymore.
Review: ‘The Furious’ is the best martial arts movie since ‘The Raid’
Besides an incredibly fun theatrical experience, Kenji Tanigaki’s third feature feels like a sea change moment for action movies: from now on, there’s only before The Furious and after.
Review: In meta-slasher ‘Faces of Death’, there’s nothing scarier than social media
While still full of relevant social media criticism and interesting meta ideas, Faces of Death is ultimately a curiosity rather than a gutting, must-see horror experience.
Review: ‘Dolly’ wants to play
Rod Blackhurst’s Dolly may not reinvent the slasher horror movie, but its grindhouse feel, captivating villain, and tough-as-nails protagonist offer enough twists on the formula make for a very fun ride.
Review: Raving on the road to hell in ‘Sirāt’
Get ready for one of the most unexpectedly tense and horrifying cinematic journeys in recent memory.
Remember When Fascism Was A Bad Thing? These Movies Do
Let’s take a closer look at some beloved films that are WHOOPS now apparently too radical for today’s khaki-wearing tyrants.
Review: ‘Blades of the Guardians’ brings Wuxia to the Fury Road
With a massive cast and grand desert vistas, Yuen Woo-ping’s latest showcases the wuxia genre on an epic scale and should deliver anything a fan wants.
Taryn Smith picks 4 movies to pair with rowing across the Atlantic Ocean
Rower and yoga instructor Taryn Smith on the movies that complement her recent transatlantic adventure.
Review: Charli XCX sells out Brat Summer in ‘The Moment’
While there are quite a few funny moments and scenarios in The Moment, this mockumentary is conceptually more interesting to think about than to watch.
Review: ‘Take Me Home’ follows a family reckoning with disability and decline
Depicting the cold realities of the American medical system as well as the warm, quiet moments of family life that continue despite the circumstances, Liz Sargent’s Take Me Home dares to ask if it has to be this way.
Why ‘Back to the Future’ is Eternal
In celebration of its 40th anniversary, here are 5 reasons Back to the Future remains an iconic cultural phenomenon.