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Tonally imbalanced at times and not afraid to cross lines, Jorma Taccone’s Over Your Dead Body is a funny, gruesome rollercoaster with a superb cast and truly killer final section.

Petra Volpe’s new film is not only a compelling work of stripped-down cinema, but also important viewing for non-medical civilians like myself only experience healthcare as a patient.

This one’s for the hardcore horror fans, who have been given the gift of seeing mummified flesh ripped off on an IMAX screen. Enjoy it while you can.

In Steven Soderbergh’s latest, the director deconstructs many of the heist-genre elements he popularized in the Ocean’s Eleven franchise, peeling back the layers to reach a surprisingly touching, emotional core.

Bob Odenkirk’s latest action flick, which is most definitely not a Nobody sequel, is a John Wick-meets-Fargo mashup that works even if it doesn’t go out of its way to do anything special. 

Kat Coiro’s Italy-set rom-com starring Halle Bailey and Regé-Jean Page may not break a ton of new ground, but it’s the kind of big-hearted, escapist cinematic fantasy we don’t get much anymore.

Besides an incredibly fun theatrical experience, Kenji Tanigaki’s third feature feels like a sea change moment for action movies: from now on, there’s only before The Furious and after.

While still full of relevant social media criticism and interesting meta ideas, Faces of Death is ultimately a curiosity rather than a gutting, must-see horror experience. 

Kristoffer Borgli’s follow-up to Dream Scenario is a provocative use of the rom-com format that tries to see how far the genre can be stretched, walking right up to the limit before it breaks.

Tom Stern’s new documentary on cult noise-rock acid-trip group The Butthole Surfers is an exhilarating experience.