
A mix of political thriller and on-the-run chase film, Disclosure Day has more similarities with Minority Report for most of its runtime than any of Spielberg’s previous alien movies.

The Sex Lives of College Girls star Pauline Chalamet on the movies and movie experiences that have made her life sweeter.

Every horror fan has to suspend their disbelief when characters go off by themselves or do something stupid, but in Izabel Pakzad’s debut feature, being abandoned by your friends to certain danger is entirely the point.

Lexicographer and author Kory Stamper on the movies that complement her new book.

With their sixth edition of the annual film series, NYC’s NewFest upped the stakes with a selection that ranged from intimate documentary portraits to recent festival smashes. Here are my brief takes on what I saw.

Author Christine Gunderson on the movies that complement her new novel.

As both an American history lover and a cinephile, I’ve seen so many ways a biopic can go wrong. Steven Spielberg’s 2012 masterpiece Lincoln avoids all of them.

Author and illustrator Austin Kleon on the movies that complement his new book.

Though I didn’t find Natalie Erika James’ latest as effective as her debut Relic, I deeply admire the shots she takes here in another unique twist on the body-horror genre.

Indie rock musician Francis of Delirium on the movies that complement her new album.

Jon Favreau’s theatrical extension of the Disney+ series may disappoint those looking for the next Jedi saga, but this one-off, low-key adventure was a fun ride.

If you’ve never seen any of the Backrooms YouTube short films 20-year-old Kane Parsons started making as a teenager, the creeping dread and ‘90s-internet-vaporwave aesthetic of his feature-length adaptation will give you a primer.

Indie rock band Arc Iris on the movies that complement their new album.

This is Damian McCarthy’s tightest and most realized horror vision to date, making great use of his largest budget to take a promising step forward in his career.

Singer/songwriter Kevin Morby on the movies that complement his new album.

If you love horror movies, you need to see Curry Barker’s Obsession, an amusement park ride of a movie that delivers laughs and brutal scares in equal measure.

Joe Swanberg’s The Sun Never Sets is not just a welcome return for the indie film director, but one of his most accomplished works to date.

Product strategist and writer Youngna Park on the movies and movie experiences that have made her life sweeter.

Jonathan Demme followed up his pioneering Talking Heads concert film Stop Making Sense with this uniquely idiosyncratic vision of America that feels deeply indebted to David Byrne and company.

Filmed for no money in 11 days by a bunch of young twentysomethings, DePaul grad Zach Schnitzer’s debut feature—which he also wrote and stars in—will remind many of the early days of mumblecore, particularly fellow Chicagoan Joe Swanberg.

Carla Simón’s Romería checks off many of the hallmarks of Rohmer-style European coming-of-age summer films while wading into murkier waters of memory and identity.